{"id":1886,"date":"2020-06-17T11:42:23","date_gmt":"2020-06-17T11:42:23","guid":{"rendered":"https:\/\/nancyannroth.com\/?p=1886"},"modified":"2020-06-26T13:02:15","modified_gmt":"2020-06-26T13:02:15","slug":"publishing-now","status":"publish","type":"post","link":"https:\/\/nancyannroth.com\/?p=1886","title":{"rendered":"Publishing Now"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">As long as I can remember, I&#8217;ve thought print was magic.  At first, I believed it literally &#8212; magic as a way of making things happen that otherwise would not not happen.  I remember copying a cookie recipe from the <em>Weekly Reader<\/em> in about fourth grade, not only word for word, but imitating as closely as possible the typography, composition, and printers marks.  Somehow, I thought the marks on the page brought cookies into being.  It&#8217;s not <em>that<\/em> far off: Buddhists in Han Dynasty China printed magic spells centuries before anyone printed anything in Europe, just because the copy was exact!).  Later, at 17-18, I was the editor-in-chief of our high school newspaper, <em>The High News<\/em>, where it became clear that print is not magic, but a great deal of work and a complex, if flexible, technology.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Now cookies are bits of code, and most typography is automated.  After months of isolation in the context of a global epidemic, I&#8217;m having to think again about the underlying matter of sending coded information out in written form.  I sense a kind of grief about publishing, brought home under current circumstances.  Or perhaps I&#8217;m at last recovering from a grief barely conscious, moving from the second, &#8220;anger&#8221;  stage of recovery into the fifth, &#8220;acceptance&#8221; stage (even the one who named the stages of recovery from grief refused to specify any particular order.).  I&#8217;m not quick or clever with so-called user interfaces, and to claw a toehold for myself on social media at my age involves sutained frustration.  Perhaps there is a bit of magic in it, when it works. I doubt that it can ever really replace the magic of print for me.  But there&#8217;s no avoiding the reality of a radical change.  Print is slow, profoundly hierarchical, and intractably linear in a world that prizes instantaneity, presence and infinite, open accessibility.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The image: \u201cLeaf of Chinese Block printing.,\u201d&nbsp;<em>Special Collections &amp; Archives Research Center<\/em>, accessed June 18, 2020, http:\/\/scarc.library.oregonstate.edu\/omeka\/items\/show\/2181.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As long as I can remember, I&#8217;ve thought print was magic. At first, I believed it literally &#8212; magic as a way of making things happen that otherwise would not not happen. I remember&#46;&#46;&#46;<\/p>\n","protected":false},"author":3,"featured_media":1912,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"bgseo_title":"Where is Print and Publishing Now?","bgseo_description":"As long as I can remember, I've thought print was magic. Fast, accessible digital publishing seems to be more of a good thing, but in fact is something completely different.  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