Mira Schendel and Tate Papers
Unaccustomed as we may be to thinking of an artist as having “influenced” a philosopher, rather than the other way around, it seems clear that Mira Schendel had considerable impact on Vilem Flusser. I’ve...
writing and translation
Unaccustomed as we may be to thinking of an artist as having “influenced” a philosopher, rather than the other way around, it seems clear that Mira Schendel had considerable impact on Vilem Flusser. I’ve...
Is it “good”? Technically, it’s OK–comprehensible, decent colour, decent resolution. The family doesn’t look hysterically happy; everyone seems a little introspective by contemporary standards.. But it’s from 1947–probably the shot for the Christmas card. Another possible...
Dave Griffiths is a filmmaker who thinks seriously about history, and who has clearly been affected by Flusser’s thought. He is the kind of practitioner I’m sure Flusser meant by the term Einbildner (I...
Michelangelo’s Creation of Adam, painted on the Sistine Chapel ceiling between 1508 and 1512, depicts creativity as a gap between two distinct, independently coherent human bodies. A complex and controversial visualisation of the account of Creation given in the Biblical Book of Genesis,...
Lucy Skaer’s new work Film for an Abandoned Projector is showing–Thursday evenings–at the Lyric Picture House, Armley, Leeds. I was really, really pleased to be able to give a talk about it last Thursday,...
I’ve been invited to talk about this work on 20 October, in Leeds. I’m nervous already. But the work is wonderful, and will be running as I’m talking…I think..and that’s reassuring. The projector in...