Flusser on Games
I’m honoured to be a contributor to a volume called Understanding Flusser, Understanding Modernism, edited by Aaron Jaffe and published at Routledge, probably 2020. Jaffe’s earlier volume is called The Way Things Go: An Essay on...
writing and translation
I’m honoured to be a contributor to a volume called Understanding Flusser, Understanding Modernism, edited by Aaron Jaffe and published at Routledge, probably 2020. Jaffe’s earlier volume is called The Way Things Go: An Essay on...
There’s a conference coming up next year with the title “Flusser’s Languages.” One of the questions to be addressed is, “Is Flusser untranslatable?’ Yes, I think he is. And although the same might be...
The resonance of “post-photography” with “post-modernism” can hardly be avoided. There will be an academic conference in Lucerne in November entitled “The Post-photographic Apparatus”. Assuming the term “apparatus” draws, perhaps substantially, on Flusser’s framework,...
David Antin’s wonderful remark about modernism has been coming back to me a lot lately: “From the modernism you want, you get the postmodernism you deserve”. I’m guessing he said it sometime in the 1970s...
Among the many memories of a recent trip to Crete are two different scripts that were developed there. Linear B is an early form of Greek, but Linear A, which seems to use the same...
Flusser‘s late – 1991 — essay “Digitaler Schein” (“Digital Semblance“) in Medienkultur (Media Culture) examines what he calls “alternative worlds,” specifically those that have just begun to appear on computer screens at the time he...