Protreptic Writing
I am grateful to Lambert Wiesing for having described and named a form of writing that does not set out to demonstrate the truth or value of the author’s views as such, but provides...
writing and translation
I am grateful to Lambert Wiesing for having described and named a form of writing that does not set out to demonstrate the truth or value of the author’s views as such, but provides...
At the September meeting of Telltales (writing group based in Falmouth), I read “Honeywell”, a short piece about the Minneapolis company now gone global. It was a response to the theme chosen for that...
I am pleased to be the translator of this, the second edition of Lambert Wiesing’s Die Sichtbarkeit des Bildes. The book, first published in 1996, draws on the history of formal aesthetics to present an...
Luxus — Luxury — is the title of Lambert Wiesing’s most recent book, published by Surkamp in August this year. I’ve translated the introduction, which proposes that that luxury is not a quality inherent...
Photographs have some effect on “family,” but I seriously doubt whether they actually consolidate or construct it. The idea comes first, I think, and the photographs shore it up. Whatever elusive idea actually ties...
Betulanimbusi, reproduced here, is one image from the elegant new catalogue of Deborah Baker’s photographs, In Paradiso. Her exhibition opened in London on Thursday, September 4, at the William Morris Museum. The catalogue includes my...