I am a digital immigrant
I only heard of the term “digital immigrant” a few days ago and would like to pay my rather belated respects to Marc Prensky, who, in 2001, coined the terms “native” and “immigrant” to...
writing and translation
I only heard of the term “digital immigrant” a few days ago and would like to pay my rather belated respects to Marc Prensky, who, in 2001, coined the terms “native” and “immigrant” to...
If you can think of a camera as an experimental apparatus, like a telescope or a microscope, and, say, a family gathering as the phenomenon under investigation, it seems to help a little with...
I’ve agreed to review this new book, Co-illusion: Dispatches from the End of Communication (MIT, 2020), for Source Magazine, a journal of contemporary photography. It’s a very short review — just 300 words —...
Until today, I had never heard of it: Introduced in electron microscopy by Hegerl and Hoppe in the early 1970s, “ptychography” (pronounced “tikography,” I think) is an imaging technique that combines diffraction data from...
Flusser insisted that photographs project possibilities, rather than “capturing” or “recording” or “reproducing” anything. So all those lovely shots you may have of yourself as a very young child, smiling at the camera–or not...
The resonance of “post-photography” with “post-modernism” can hardly be avoided. There will be an academic conference in Lucerne in November entitled “The Post-photographic Apparatus”. Assuming the term “apparatus” draws, perhaps substantially, on Flusser’s framework,...