The Melody of Language
If language is like music, surely translators are in the best position to notice it, and to respond, whether with joy or foreboding. Probably all of us hear it. There’s a particular beat, a...
writing and translation
If language is like music, surely translators are in the best position to notice it, and to respond, whether with joy or foreboding. Probably all of us hear it. There’s a particular beat, a...
Chester Nez (with Judith Schiess Avila), Code Talker: The first and only memoir by one of the original Navajo code talkers of W.W.II, New York: Berkeley Caliber, 2011. Can an autobiography be “authorized”? This...
The book is a collection of short pieces that are between or about or in addition to fiction, but not themselves fiction, the kind of book I always hope will illuminate the nuts and...
This book is hard to read. The language insists on calling attention to itself, so no stars for “ease” or “comfort”. But I can’t imagine a more effective way of insisting on the fragility,...
A few weeks ago LinkedIn invited me to contribute to some teaching materials for writers. The subject was avoiding clichés. As usual, I found myself objecting: it’s true that a badly-placed cliché can stop...
I was recently surprised by a piece of writing that was, yes, technical without a doubt, but also really good -“good” being, for me, some combination of absorbing, accessible, illuminating, funny, and memorable. Why...